Showing posts with label Civil War artillery. Show all posts
Showing posts with label Civil War artillery. Show all posts

Saturday, March 3, 2012

Where Do All the Big Guns Come From?

Greetings Cosmic Americans!

Over the past two weeks, I have been spending a lot of time at Rosedale Cemetery in Los Angeles. First, it was to find Gone With the Wind star Hattie McDaniel's grave, then I was there to look up a very prominent Union Civil War veteran, Allen Allensworth. One of the cemetery's dominating features is the big cannon guarding the entrance to the soldiers' plot. Although heavily damaged from years of exposure, neglect, and vandalism, the gun still strikes an imposing posture before the graves of the nation's men at arms.

If you have visited cemeteries with special sections for soldiers, you have certainly seen  a gun or two. If the cemetery is old enough, it will probably be the final resting place for Civil War soldiers - and the gun will more than likely date to the Civil War era. But have you ever wondered how the gun got there? I was especially intrigued by this one. Los Angeles was a long way from the action during the war, but there is a Civil War cannon here nonetheless.

I took a few pictures, noted the various markings, and sent them to fellow Civil War blogger Craig Swain for further information. Craig got back to me in short order with more details than I had expected. This 10-inch Rodman probably served as part of network of seacoast defensive fortifications in the northeast. How can he tell? A postwar rifling insert indicates that the gun was modified from its original casting as a smoothbore - the markings on this insert give precise dates and other details. This one was converted by South Boston Foundry in 1877 (where most of the guns from the northeast wound up) - it was the 36th conversion made in the series. It was inspected by Cullen Bryant and weighed 16090 pounds.

But how did it get to California? In the late 1860s, Irvin McDowell, the Union general who lost at Manassas, was in command of the department of the West. He requested that these guns be shipped to California for use in coastal defenses. This Rodman more than likely made its way west after 1877 - it would not have been cost effective (the Army was tightening its belt in those days after a protracted war) to ship it east for rifling and then ship it west once again.

So my best guess is that this gun has never fired a shot in anger. In 1908, the Stanton Post, GAR procured the gun (somehow...I am going to figure that out next) then dedicated it as a monument to their comrades buried at Rosedale. And now it sits rusting, covered with graffiti and filled with garbage in a seldom-visited cemetery that suffers from neglect. If you're ever in the West Adams neighborhood of Washington and Normandie - stop by for a visit.

Peace,

Keith

Thursday, November 10, 2011

Civil Warriors Round Table: A Debriefing

Greetings Cosmic Americans!

As you all know by now, one of my favorite things to do is attend local talks on the Civil War - and yes...these take place in the Los Angeles area all the time. Last night I hauled my cookies (Coni joined me - for her first Civil War round table) all the way out to the West Valley for the Civil Warriors Round Table - a small and friendly gathering that takes place at a deli once a month. Attendance was a little lighter than usual, but that mattered little  - we got a taste of a artillerist's life in the Army of the Tennessee...as told by said artillerist's grandson, David E. Wall.

Wall's talk, "Always in the Middle of Battle: Edward Kiniry and the 1st Illinois Light Artillery," followed his ancestor throughout the western theatre of war - from Forts Henry and Donelson to Atlanta and finally North Carolina. Following the talk, I asked Wall about Kiniry's position on politics and slavery - I found his wartime lack of interest for such matters intriguing - I am wondering if he just didn't record his opinions. I did turn out that after the war Kiniry (a person of Irish descent originally from Manhattan, mind you) tended to promote some degree of racial tolerance. One could assume that the war had made a difference on Kiniry's worldview. At least that is what Wall implied.

Next month, I will be speaking to this group about Robert E. Lee in the years following Appomattox...his public conciliation, his private reflection, his sense of duty, and Lee in public memory. It should be a rousing talk - hope to see you there!

Peace,

Keith